A Feast for the Eyes: Art, Performance, and the Late by Christina Normore PDF

By Christina Normore

To learn debts of overdue medieval banquets is to go into a fantastical international the place dwell lions safeguard nude statues, gilded stags burst into music, and musicians play from inside pies. we will be able to virtually pay attention the clock sound from inside a tumbler fort, flavor the fire-breathing roast boar, and odor the rose water cascading in a miniature fountain. Such shiny artworks and function required collaboration between artists in lots of fields, in addition to the participation of the audience.

A banquet for the Eyes is the 1st book-length research of the courtroom banquets of northwestern Europe within the fourteenth and 15th centuries. Christina Normore attracts on an array of works of art, archival records, chroniclers’ money owed, and cookbooks to re-create those occasions and think again the past due medieval visible tradition during which banquets have been staged. banquet contributors, she indicates, built refined methods of appreciating inventive ability and getting to their very own procedures of conception, thereby forging a court docket tradition that thrilled within the workout of excellent aesthetic judgment.

Challenging glossy assumptions concerning the nature of inventive creation and reception, A dinner party for the Eyes yields clean perception into the lengthy heritage of multimedia paintings and the complicated relationships among spectacle and spectators.

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C) Copyright University of Chicago Press, 2016. All Rights Reserved. com/page/privacy-policy). ) On Cockaigne, see Herman Pleij, Dreaming of Cockaigne: Medieval Fantasies of the Perfect Life, trans. Diane Webb (New York: Columbia University Press, 2001). For marginalia, see Lillian Randall, Images in the Margins of Gothic Manuscripts (Berkeley: University of California Press, 1966), 83–84, 220. ) Philip Slavin, “Chicken Husbandry in Late-Medieval Eastern England, c. 1250–1400,” Anthropozoologica 44 (2009).

30 It is unclear whether these movements were achieved through mechanics or by the use of hidden human actors. com). (c) Copyright University of Chicago Press, 2016. All Rights Reserved. com/page/privacy-policy). Subscriber: Duke University; date: 30 November 2016 Between the Dishes puppeteers hidden below it. 31) in practice. Regardless, the desired effect was of selfpropelling scenes in which miniature figures constructed from metal and wood moved of their own volition. ”31 In addition to the marvelous self-propulsion of miniature figures, living beings moved visibly within entremets.

Agathe Lafortune-Martel, “De l’entremets culinaire aux pièces montées d’un menu de propagande,” in Du manuscrit à la table, ed. Carole Lambert (Montreal: Presses de l’Université de Montreal, 1992), 129. ) “L’unique fonction est tout simplement d’être un ‘plus,’ un cadeau, un plat supplémentaire destiné à honorer celui auquel il est servi” (Laurioux, “Table et hierarchie sociale,” 96, 98). ) Chiquart, Du fait de cuisine / On Cookery of Master Chiquart (1420): ‘Aucune science de l’art de cuysinerie et de cuysine’, ed.

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A Feast for the Eyes: Art, Performance, and the Late Medieval Banquet by Christina Normore

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