By G G Zerffi
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Additional resources for A manual of the historical development of art, pre-historic, ancient, classic, early Christian : with special reference to architecture, sculpture, painting, and ornamentation
Manson notes in 1950 that it is precisely in the Gospels that “we begin with the fact that Jesus did gather a community around himself during the course of his ministry; and we may well ask what it was, if it was not the church… . It will not do to regard this group merely as the more or less regular disciples of a somewhat unorthodox travelling Rabbi… . The more the Synoptic evidence is studied, the more clearly the fact emerges that what Jesus created was something more than a new theological school.
Had the primacy of Rome been a fact, she would have resolved all the most burning controversies of the first four centuries by appeal to her own priority. She could not claim that authority, however, and as tensions increased, church fathers began proposing different criteria for authority, such as size of the church or city, antiquity of the church, origin of the church, or location of the church. Moreover, if Rome were the seat of general authority within the church, it is odd that, time and again, Rome did not play the leading role one would have expected.
6 Rudolf Sohm went to the opposite extreme while still denying the church any real organization. ”8 This is the sense of ekklesia in the New Testament. ”10 Karl Holl argued that the Twelve were historical but that they had no office. 13 So there were two schools: the apostolate was genuine but not hierarchic, or it was hierarchic but not genuine. A standard statement of the case was that of Otto Scheel in 1912: “The churches,” he said, “were corporations, that is, societies. They arose independently [autonom] and spontaneously side by side.
A manual of the historical development of art, pre-historic, ancient, classic, early Christian : with special reference to architecture, sculpture, painting, and ornamentation by G G Zerffi