Download e-book for iPad: ABBA 1, World 0. An Essay from Eating the Dinosaur by Chuck Klosterman

By Chuck Klosterman

ISBN-10: 1451624735

ISBN-13: 9781451624731

Originally amassed in Eating the Dinosaur and now on hand either as a stand-alone essay and within the booklet assortment Chuck Klosterman on Pop, this essay is ready ABBA.

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Additional resources for ABBA 1, World 0. An Essay from Eating the Dinosaur

Example text

They appear uninvolved with the rest of the world; throughout the 1990s, Faltskog did not even own a home stereo. And this natural disconnect is the central reason ABBA has succeeded over time—and it’s something I noticed through other people before I realized it on my own. My first clue, I think, was hearing people talk about Muriel’s Wedding in 1994. I don’t think I saw Muriel’s Wedding until 1997. ” And what I came to realize is that these moviegoers were unknowingly making a critical distinction that explains why this group is so resilient and timeless.

Com. The Simon & Schuster Speakers Bureau can bring authors to your live event. com. Manufactured in the United States of America ISBN 978-1-4516-2473-1 ABBA 1, World 0 1 Sometimes it’s hard to tell if things that happened in your life only happened to you or if they happened to everyone. Every formative incident feels normal to the child who experiences it, so sometimes it takes twenty-five or thirty years to realize a particular event was singularly bizarre. For example, it took me a long time to recognize that being institutionally taught to dislike disco in my second-grade social studies class was deeply weird—unless, of course, this was a totally normal thing that happened to everybody in America who was born in 1972 and attended a public elementary school.

Now, who was “right” among these factions (the original ABBA supporters, their antagonistic detractors, or the modern revisionists) is not important to me. I have no interest in convincing anyone they need to download Voulez-Vous posthaste, because I am post-taste. But what is compelling is how this polarizing trajectory occurred. The pattern is certainly not unique to ABBA; it’s not unusual to see artists who are (a) initially appreciated before (b) falling out of favor, and then (c) returning to prominence after the fact.

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ABBA 1, World 0. An Essay from Eating the Dinosaur by Chuck Klosterman


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